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About the Competition

The Florence County Museum is proud to present the 2023 Pee Dee Regional Art Competition sponsored by Chick-fil-A of Florence. The competition highlights the best contemporary art in the Pee Dee region. One of the state's oldest juried art competitions, the first Pee Dee Regional dates back to 1954 where the competition was held at the former Florence Museum on Spruce Street in Florence, South Carolina.

This year's exhibit is now open to the public and will remain on display through Thursday, April 6, 2023 in the FCM Waters Gallery. Visitors are invited to inspect this year's selection and cast their vote for the Jo Ann Fender Scarborough People's Choice Award. Voting for the People's Choice Award will be open through Friday, March 24 with the winner being announced on Monday, March 27 via the museum's social media.

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FCM Waters Gallery
135 South Dargan Street
Florence, South Carolina


Gallery Hours:
Monday - Friday
10:00am - 5:00pm

Top image:
Stan Diel
Preening Swan
Photography
Florence, SC
Sandrine Schaefer
Holda’s Gander
Mixed media (goose decoy, broomcorn, steel, decoy cord, sound of human fetal heartbeat)
Myrtle Beach, SC
Robert Garey
Offering Thanks
Oil on linen
Florence, SC
Colleen Critcher
The Value of Nothing and Everything
Acrylic on panel and oil on panel
Florence, SC
 
Left image
Barbara Dunn Rowe
Ascending Soulmates
Ceramic
Lugoff, SC

The Selection Process & Awards

This year’s competition juror overseeing the selection of works and awards was Georgia artist Alice Stone-Collins. First place in this year’s competition was awarded to Sophia Shumakes of Florence for her sculpture Symbiosis. The other award winners include second place woodcut by Myrtle Beach resident Treelee MacAnn titled Resilience, To and Fro and third place oil on canvas The Crows by Florence artist, Kevin Spaulding. The honorable mention was awarded to Memento Morididdle Movement #600 by Charles Clary of Conway.

The exhibit this year is composed of 29 works of art selected from 146 online submissions by 73 artists representing northeastern South Carolina. This year’s exhibit is comprised from a balanced variety of paintings, mixed media, prints, drawings, photography and three-dimensional works.

Juror’s Statement

To make work is to expose a side of yourself that otherwise would remain hidden. To make work is to reveal. To make work is to communicate a part of you that is impossible to express any other way.

I admire all the artists who submitted to the 2023 Pee Dee Regional Art Competition for allowing me to take in these pieces. To admire the technical skill, thoughtful compositions, and overall quality and care that went into each of these works.

It is not easy to make work in any circumstance. But coming out of the weariness of pandemic fatigue, I return to a few common themes within the works. One idea that shines through is the signaling of rebirth and the necessary act of communication. After living in so much isolation, (and no, FaceTime and Zoom don’t count), we need to come back to connection and back to each other.

How have we learned to be better listeners, to ourselves and our community? Does this ability to know how to be quiet allow ideas to surface in the space of stillness? What spaces are we creating for what is new to be born?

Shumaker’s Symbioses is asking us to contemplate communication between two different organisms through the painstakingly ornate detail allowing us to become comfortable with different parts of ourselves and one another. McCann’s Resilience, To and Fro speaks of the idea of growth and re-emergence even within the hardest times. Spaulding’s The Crows insinuates transformation and change through interaction and connection. Clary’s Memento Moriddle Movement #600 allows us to contemplate the unearthed side of something previously overlooked.

“Beauty and grace are performed whether or not we will or sense them,” Annie Dillard writes in Pilgrim at Tinker Creek, “the least we can do is try to be there.”

These pieces reawaken our capacity to be there. It has been an honor to be here with these pieces. To really sit and see how they could speak to a viewer based on what the artist might have intended and my own viewpoint. To sit on the opposite side of the artwork is such a poignant and sharp pleasure.

I would like to thank Stephen Motte and the Florence County Museum for the opportunity to be a part of this process.

Alice Stone-Collins
January 2023

List of Works

Exhibit Catalog

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